In 1978, the Idaho Historical Society cataloged over 80 architecturally significant historic houses and commercial buildings in Paris, Idaho. In this and future columns we will highlight one or two. The Paris Museum has information about this and other homes.
36 SITE NAME: William L. Rich house SITE 20
36 SITE NAME: William L. Rich house SITE 20
The former Rich house built in 1885, is a two-story frame
structure with a rather low hipped roof and a square plan elaborated by a
one-story hipped kitchen ell to the rear. The main block is three evenly-spaced bays
wide, and one broad and two narrow bays deep.
The siding is wide shiplap. Door
and window heads are molded. Broad
wooden “quoins” short alternating with
long in imitation of stones set sideways and lengthway into masonry corners,
frame all elevations. Windows are two-over-two sash; the main entrance at left
front has an oval transom. There are
three interior chimneys, two to the right and one to the left, all of corbelled
brick.
A hip-roofed porch supported on blocky posts now crosses the
facade; it was built in the early 1920s.
According to the present owner and long-time occupant, the original
porch was small, spanning only the entrance bay and creating balcony space onto
which the left front upstairs door opened.
The William Rich house is architecturally significant as the
sole example in Paris of the Western Colonial or "classical box"
residential style. Standing, as it formerly did, next to the cluster of adobe
hall-and-parlor cabins in which all the Rich children were raised, this house
is visible reminder of the passing of an architectural and cultural time in
Paris.
As one of only five full
two-story residences in town, it can be seen as an attempt, in frame, to
produce an image of substantiality and stature encouraged by Mormon culture and
usually associated with structures built of brick or stone. The adoption of the classicizing and
stone-allusive quoins, the low, solid hipped roof, the taut row of upper
windows butting into the shadow of the eaves, convey a desire for a
particularly formalized stylishness, vaguely uncomfortable but visually
striking in the broad spaces of Paris.
Although
the classical box can be found in the Plains, a tall farmhouse amidst open
land, the upright William Rich house looks, among its small, more homey neighbors,
to need a more densely populated streetscape. Its owner left Paris in 1886,
just after the construction of the house, to become bishop in nearby larger
Montpelier. He returned in 1893 as president of the Bear Lake Stake. It was
said of Rich that he was "a lover of good books and theaters" and that
he "believed in progress” . (Daughters
of Utah Pioneers, Bear Lake) Pioneers, p. 682.
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