In 1978, the Idaho Historical Society cataloged over 80 architecturally significant historic houses and commercial buildings in Paris, Idaho. In this and future columns we will highlight one or two. The Paris Museum has information about this and other homes.
13. SITE NAME : Hotel Paris SITE 76
13. SITE NAME : Hotel Paris SITE 76
7 Main Street, Paris, Idaho
An outset porch is centered on each street side; the porches have
flat roofs, supported on short, block battered wood piers on tall
concrete-capped brick bases. The
entrance on Main is evidently the primary one, with front as well as side
walls, and an extra set of brick pillars flanking the concrete steps. On the
basement and first stories, up to a continuous concrete sill running under the
windows, the brick is rough-textured. From
the sill to the crested and parapet roofline, it is smooth. Windows are of various types--fixed,
casement, sash; hence some re-glazing has apparently occurred. The concrete
sills and transom lights of the downstairs windows are undisturbed, along with
the truncated pilasters, capped with small "hip-roofed" wood and
metal ornaments, which separate them.
The main decorative elements on the upper story are simple geometric
patterns formed by header and inset courses of the brick, and the broad, flat,
Prairie style metal cornice suspended midway between the window heads and the
roofline.
Hotel Paris is architecturally significant as one of Paris' more
pretentious buildings, and as the first non-religious structure to occupy the
Tabernacle block. This long-awaited project was brought about through the same
backing and designers as the Browning Block. In
fact, this building and the business block were being built simultaneously in
1917. Shreeve and Madsen of Ogden were
the architects and the contractor was Louis Sorenson of Rigby who brought in
not only his own workers but materials as well. Construction began in 1916
after the lot had been purchased from the church.
In its finished form, the hotel had twenty-two rooms and was
"elegantly furnished throughout. With
its bungalow and Prairie appearance, the hotel would have been, even more than
the Browning Block, a truly "modern” addition to Main Street.
Some of its horizontal character is found in the Public
School further north on Main Street, but the hotel design has no colleague in
Paris. (14 Paris Post, 8 March 1918)
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